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Before school was dismissed Mannel Rodd, after earnest solicitation on the part of an older sister, was induced to mount the platform, where he shyly and with every evidence of stage fright recited,,

In the front seat of the Wallace school sat Mannel Rodd. Nell Gordon declared that he was the roundest object she had ever seen in human form. Though he had arrived at the mature age of five, he still retained that cherubic appearance which one sees in the paintings of old masters. His eyes were as round as the rather sparsely-located buttons on his shirt. His nose was a small round knob. When he opened his little round mouth to lubricate a squeaky slate pencil or perhaps to enunciate some such interesting statement as this, “The cat is on the mat,” he disclosed a row of pearly little teeth. Indeed his whole face would have been as round as the moon, were it not that his chin took an unexpected little saucer-like curve in the very middle of it.,

“Alfred the Grate was a good king. He had a lot of trubel in his rane. The Danes had come to Ingland and peeple did not no how to read and rite. He bilt some skools and men called munks showed the peeple how to read and rite the Danes were very crool they killed a lot of men and Alfred the Grate had to run away and hide in a slew. One day a woman where he horded asked him to turn some pancakes and King Alfred the Grate forgot to turn the pancakes and they were burnt and the woman boxed his ears and would not bord him no more. Alfred the Grate beet the Danes.”,

“I b’lieve Moses’ll eat jelly-roll some day till he rolls up hisself. I’m orful hungry, can I hev some fresh bread?”

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Nothing loth to keep the distance between himself and Nell at a minimum, Howard Eliot entered with zest into the boy’s plans.,

“How nice, Betty,” answered Nell, who had threaded her needle and was now prepared to join those already busily stitching away. “You and I will travel down the ages side by side.”,

“Mith Wopp,” offered Lila Williams with a dignity befitting her eight years and her enviable position as daughter of the regular teacher, “my ma wont let Pete and Pat thit together, they act too thilly.”,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.